Art as Allegory

Teacher: Stephanie Lee

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This Course

Access: Instant
Teacher Interaction: Self-Study
4+ Hours of Content
16 Lessons
62.00
Techniques: Abstract, Acrylic, Book Making, Collage, Encaustic, Journaling, Mixed Media, Photography, Plaster
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Course Description

Join Stephanie Lee as you rekindle the power and joy of creating art as a way to represent an abstract or spiritual meaning dear to your heart.

Through a sampler project you'll explore various combinations of plaster, encaustic medium, image transfers, collage, and paint. Creating a catalog of beautiful technique reference materials, to uncover which combinations embody your creative voice, revealing the path to your greatest joy and fulfillment in art making.

Once all the elements of your sampler are created, Stephanie will guide you through compiling them for display or in a simple, tactile (and easy) handmade book form as a reference, an inspiration, and as a work of art on it’s own.

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Supply List for This Course

Supply List

Jeanne Oliver Creative Network 2018 Workshop “Art as Allegory”
SUPPLY LIST:

Though this looks like a long list, chances are you have much of these materials on hand already. A few key additions and you’ll be able to create so many different techniques through this course! 

Plaster gauze - 2-3 rolls of 4” x 180”
Plaster of Paris
Gesso (white)
Your favorite artist brushes (A variety of sizes is nice to have on hand.)
Cardboard or foam core cut to any size you want to work on with roughly 20 pieces cut to that size (I like scrap corrugated cardboard and am working approximately 6” x 9” and 4” x 4”.)

Acrylic paints in your favorite colors (I like to also always have heavy bodied titanium white and raw umber on hand. If you have sampler cans of latex/house paint on hand, those work great too!)
Plastic spreader (or old hotel card, credit card, etc.)

Your favorite gel medium (I like Golden Regular Matte Gel or Liquitex Regular Matte Gel Medium.)
sharp scratching tool (An awl, large needle, or clay tool work great.)
Disposable cups and plastic or metal spoons for mixing plaster

Water containers
Your favorite mark-making tools (I like Sharpie paint pens, Tombow markers, black Stabilos, and black gel pens.)
Images in various sizes. (I recommend laser or toner copies in black and white as well as color though originals will work too.)
Encaustic medium, clear (1 lb. should be plenty for what we are making.)
Electric skillet for melting the encaustic medium (flat or self-contained).
Bread pan or something similar for melting encaustic medium in if you’re using a flat skillet
Encaustic brush (I like something proportional to the width of the pieces I am making so for a 6” x 9” piece, a 2-3 inch brush would be my preference. This brush will be dedicated to encaustic work only from here on out. Also, the more dense and softer the brush bristles are, the smoother your initial wax application will be.)
Rags or paper towels

Optional:

Clear gesso (The only brand of clear gesso that I like is Liquitex but you can use whatever brand you prefer.)
Black gesso
Heavy watercolor paper (as an alternative to cardboard/foam core)

Carbon paper (any brand will work)

Collage material and ephemera
Drywall Mud/Joint Compound (small tubs of lightweight compound are my favorite.) Heat Gun or butane micro torch
Stencils
Masking tape

Disclosure of Material Connection: Some or all of the links in this supply list are affiliate links. This means if you click on the link and purchase the item, we will receive an affiliate commission and we are disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: Guides Concerning the Use of Endorsements and Testimonials in Advertising. Please note that we only share the supplies listed by the teacher in this course. As always, our heart is to encourage you to use what you already have and, when we suggest products, we only share supplies that we use and endorse.